The queues to get in were so long that the parking lot raves in front of E-Werk became about as legendary as the club itself. It hosted the after-show party for MTV’s Music Video Awards at a time when the station and its events really meant something (1994).
#Bunkers music bar series#
Planet’s successor opened in 1993 with a series of semi-legal construction parties in a former power station just across the street from Tresor’s original location at Leipziger Straße.
#Bunkers music bar professional#
It was a bigger space in a former factory for the potato-mix producer Pfanni, and the owners’ more professional handling of Ultraschall 2 kept it going until 2003. Although the club was forced to move when the airport was finally demolished in 1996, the second coming of Ultraschall proved to be a success story in its own right. One of the founders, Upstart, also operated the label Disko B and the record shop Optimal, thereby creating a three-pronged axis for what Ultraschall resident DJ Hell deemed the “new sound of Munich.” That sonic identity set itself apart with the addition of a second floor dedicated to all things ambient and experimental. Nevertheless, Ultraschall became an internationally renowned address by one year after its grand opening in the summer of 1994. The responsible crew already had three years of experience throwing parties and raves in off-locations, but turning their successful event series into a club proved more difficult than they had anticipated. In 1994, a former kitchen of the then-closed airport Munich Riem became the first bona fide techno club in southern Germany. Due to complaints from nearby neighbors, the sound system on the main floor was notoriously shitty and the music mostly played below the 100 dB margin. It was a hotbed for the distinctly German version of minimal house and techno that dominated the early 2000s-and yes, it was the club featured in the film Berlin Calling. Those endless weekends inspired many an urban legend, from the convoluted demands that the door staff aimed at incoming clubbers to much darker rumors that illustrated the dangers of radically liberal club cultures.
Bar25 eventually evolved into a multifaceted wonderland that offered a spa, a hostel, a restaurant, a cinema, various dance floors and the longest, most excessive parties one could imagine-but only between May and October. The idea for a “real” bar and a playground for friends took hold soon thereafter.
It all started with an old DDR Nagetusch trailer-turned-bar that operated at illegal parties on the banks of the Spree. The most mythologized Berlin club had modest beginnings. Despite the influential presence of the respected sound gallery Robert Johnson, the Frankfurt area still lacks a club whose star shines as bright as Omen’s did back in the day. After that day, Frankfurt’s famous club scene started to bleed out, and it still hasn’t fully recovered. A sound system was erected, the police agreed to block the street from cars and a spontaneous open-air ensued. When they had to close after ten years in 1998, so many ravers flocked to party one last time that the street out front became packed with dancing bodies that couldn’t fit into the building. For years Omen was the nucleus of the Frankfurt scene when it was still considered one of the leading forces on the electronic music map and the “sound of Frankfurt” was a highly successful international export. This was the sweatbox where Sven Väth held court his living room where he became known as “Baba” and established himself as one of the biggest DJs in the world. If you don’t know about Omen, then you don’t know much about German techno.
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